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Studio Life…

Sometimes you just take an artist and define who they are. Binker Golding, with no real plan for what he wanted out of his photo shoot, told me: “Just go for it”.

We spent the day using different lighting set ups, coloured gels and just playing around with edit presets with the camera tethered to the Mac. Creatively, this is still one of my favourite shoots.

Sometimes we work to a concept other time, it is a very easy-going shoot and we go with the flow. It’s a joint venture between the sitter and myself. We may mix natural light with flash heads. I don’t like making it too technical, it has got to be fun.

Don’t think on the toilet

You know when you have those moments in life when you think there must be more than just going to work everyday, I must be good at something…..I had photographed a few gigs locally but I was still looking to find myself photographically, I had not photographed for a good 20 years. I had this memory of an Athena poster I had on my wall when I was in my late teens early twenties, It was photograph by Goeff Stern of a Jazz dancer shot by a railway arch in London wearing a Mark Powell suit. Funny enough I ended up photographing Mark Powell some years later for an article in Rake magazine. “see below”

Me about 20 years old in my bedroom at my parents house. Jazz poster top left in the background.
Mark Powell in his Marshal Street shop Soho for Rake Magazine “Russia”

I digress, the feel and the mood of the poster was just so cool it made me want to know more about Jazz. I popped into Our price records in Basildon and picked up a copy of Miles Davis – Around Midnight, around the same time I had started to use a record shop in Upminster called Crazy Beat Records run by a Dj from Grays, Gary Dennis. A real vinyl pusher of the deadliest kind. He knew his customers and would present you with a pile of records as you entered, also dropping the finest tracks on the turntable at the same time. He had a great selection of dance floor jazz that was buzzing at the time, as it turned out with an Italian vibe from labels like Right Tempo, Schema and London’s very own Acid Jazz. At this point the camera was put away and I just wanted to dance and DJ. I was so blinkered I did not even think of combining the two, even with some of the Totally Weird album covers with rich black and white shots of jazz dancers at Dingwalls. Fast forward god only how many years and I find myself sitting on the toilet soul searching trying find out where my life was I heading. A few months previous I had purchased a new digital camera, nothing flash but still a good camera. I was kind of exploring taking photos again but it was like going back to page one of photography, it had been so long. ‘Had it been so long or had I just never found my stride in the first place, I think it was the latter.’

Over the years I had played about with my laptop to create mixed images I had framed on my wall by my record collection, mainly scanned from different music publications like ‘Straight No Chaser’. I googled Straight no chaser to see if it was still being published and found ‘Ancient to Future’. This was the new venture Paul Bradshaw was involved with. I ended up reading about a up and coming gig at St Georges Hall, Bloomsbury. ‘Im going to photograph some jazz’ I thought. A few emails later and I was on the list, fucking hell that was easy I thought. The gig was “Nexus jazz warriors International” the rest they say is history! This was my first Jazz Gig. The performance involved Adriano Adewale, Rowland Sutherland & Robert Mitchell and presented by Bonnie Greer.

Adriano Adewale working his magic.

On this evening I was approached by Michael Edwards who turned out the be the most gentle giants I’ve ever come across. He asked if he could see the photographs once they where ready. It was a life changing direction, I’m still not sure if it was for the right direction. Michael had be writing for UK Vibe for years, it would turn out to be a partnership that lasted a good few years. I ended up photographing a few nexus gigs at St Georges a met some fantastic musicians and photographers who I’m still friends with today.

Adriano Adewale
Robert mitchell
Rolland Sutherland
Bonnie Greer

The Concept pt 2

We have shot the cover “The Concept” next step is the recording, it could even be the first step. Photographing the recording of an album is a privilege, not just for the photographer but also the listener looking from the outside in.

It takes you to a place you don’t normally see. I remember looking on the back at record covers back in the day when I first got into music and I was fascinated by those photos shot in the recording studio.

We headed down to Curtis Schwartz studio down in the leafy Ardingly. An amazing studio with a fantastic recording pedigree. There I found Freddie Gavita, Tom Cawley, Calum Gourlay and James Maddren hard at work.

Freddie in the studio recording tracks for Transient

Shooting with only available light, I did not want to add or detract from the feel of the studio. When you’re in the recording studio you are the observer, the link to the outside world. You can’t interrupt and no going back and shooting again.

You as the photographer are the link to this world. I alway carry flash-heads in the boot of the car as you never know what you’re walking into.

I only own 3 lenses and never get hung up on kit. Keep it simple, I think it keeps you on your toes you have to think on your feet.

50mm 1.4 for those great depth of field shots, 70-200 2.8 and 28-105 f4 what more do you need. A pair of eyes and follow your heart.

Shot with 50mm 1.4
The recording session
Strimming the Ham
Tom Cawley
Freddie Gavita
James Maddren
Calum Gourlay
Tom Cawley

Listening back.
Curtis Schwartz

You can find out more about Freddie his music, buy a cd or a digital download plus more photographs on his website. If you buy the digital album there is full digital booklet with more unseen photos. https://freddiegavita.com

“Till death do us part”

This article may show some upsetting images.

In 1968 the words “till death do us part” where spoken in a church in Grays by my parents. Fast forward to 1996 and it was the end of their marriage. It’s painful to sit down and put pen to paper to talk about this, it was a very difficult time. I loved my parents and as an adult one understands everything that is going on. To make matters worse, I worked alongside my father day in and day out. Did I think anything was going on, I did not have a clue. Years before, I would not only work with him, but also spend a lot of time socialising with him. To see his attitude towards me change, it was indeed very painful. Some days he would be his old self, other days he would take a lot out on me. If he had any issues with the separation and later the divorce I would be in the firing line. I soon realised I needed to work away from him. I was offered a new job working as a recruitment consultant that got me away from construction for about 18 months.

Due to the cost of buying a house that needed restoring, I was soon back in the construction game alongside my father, but he was more settled in his new life. 

My mother had locked herself into her work and moving on from the family home, heading for pastures new.  It’s funny when I went with her to look at her new house I had to tell her that my father’s construction company had been a contractor on the project and I had fixed the reinforcement in the footings.  Myself and a chap called Dave Heath, who was also my father’s great friend, had worked on site with me.

My dad, on the right, with Clive a guy who lived two houses along from us. This must have been around 1975/76.

Looking back, it was a strange time emotionally speaking, it felt like a no-man’s land as far as my relationship with my father’s family. My grandfather had passed away and myself, my sister and my mother went to the funeral. Never before had I felt so unwelcome, I put my hand out to shake my dad’s hand, he not only looked through me, it was almost like he just walked straight through me, as if I did not exist. The same with his brother Gary and sister Chris. It was like I was invisible. I remember clearly standing there shaking with rage and strong emotions, never before had I felt so unwelcome by the people I used to call family. My dad’s brother Paul, whom I had been strong friends with since I was about 18, as he was only 6 or 7 years older than me, came over to shake my hand and ask me if I was going back to the house for the wake. There was no way I could, not after the show that had been played out in front of me. At this point I did not have the strength in my legs to stand, the levels of emotion was so strong. I don’t think that day will ever be put to rest.  For me this would see an end to what was a very close relationship with my father for the next 5 or 6 years.  After my second son was born, the relationship with my father began to mend somewhat, until I had a falling out with his new partner, Janet, over an invite where my mother would also be attending, namely, my then second wedding. I asked Janet if she minded not attending so not to create any further friction at the ceremony. Looking back, I was very wrong to do so and it would be the end of my relationship with Janet.

In November 2019, my father sent me a photograph of Janet via direct message on Instagram. I did not know why he would send me that photograph, but I then understood it was his way of telling me she had passed away. We had been messaging since July 2017, but with no physical contact until late 2020.

My Father and Mother at my Father’s home 7 moths before he passed away.

I had lost 10 years with him in total, 10 years I would never get back. I really can’t put into words how much it hurts looking back at the time we missed together. How much he would have loved coming with me to Ronnie Scott’s Jazz Club on a night when Georgie Fame or Booker T played, he would have loved it. I can feel the emotions welling up inside me as I’m typing this.  There was also the pain that the divorce and separation had caused to my mother.  To see her hurt was heartbreaking.

My mum enjoying a coffee at my father’s house.

It was just before the covid lockdown I regained contact with my father, it was my mother’s doing and her prompting me. She had been in touch with him I guess after she had found out his partner Janet had passed away. She always loved him and that would never stop until his passing. I remember clearly the phone call I made to him for the first time in years. How shaky we both felt over small talk on the phone. My mother had already told me he had something to tell me, he did not tell me anything on the phone other than small talk.

My father on the phone in his living room

I can’t remember the timeline but it was not long before we got together and arranged a visit with my mother to our house in Blackheath. It was so strange but refreshing to see my mother and father arrive in the same car to our house after so many years being apart. It was the first time my (third and current) wife Erminia had met my father and she has not let me forget how well both her and my father got on and why we, me and my father, had both been so stubborn towards each other over the years. She had a very valid point and made me recall the whole saga of events that brought us to this point.

My mother and father

The thing my father wanted to tell me was that he had cancer and that there was nothing that could be done to cure it. It had crossed my mind that it could be something like along those lines.

It was time to make whatever time we had together count. I could see when I first saw my father after so many years he was not a well man. He had always been a strong man, a construction worker, now in his 73rd year he looked frail though. A shadow of his former self. I think I had prepared myself mentally for the news that he had to deliver, if only in half truths about his current condition and how long he had left, as it turned out, it would be only a year.

Looking through a few old phots and talking about old times

For me, this writing is to get the hurt out I still carry inside. The way some things in my life have played out, to look back at my emotions and how they shaped some of my decisions.  As the song says, “regrets I’ve had a few”, if I’m honest, not many. I’m a firm believer that everything happens for a reason. Life is about learning who we are and that never stops until the day we die.

A year is no time at all, and one will never get back the time one has lost. Stepping back and telling oneself that things need to be put right is important. It was not long before I could see even more of a change in him and how he was physically. At first I would visit most weekends and then it was after work during the week. He was getting weaker and weaker. I would spend my time buying 20 cigs for him and his medications from the chemist.  Maybe some snacks that he would ask for, but not eat. It’s hard to watch someone just start to fade away into a shadow on a bed in a room. The drugs the doctor was prescribing got heavier to ease the pain that he must have been in, but he had still not lost his razor sharp sense of humour!

I remember, one evening, in the last weeks of his life myself and my son Max going over one night after work and the carer turning up to put him to bed, he was already in bed and dozing. She woke him up by turning the bedroom light on and talking to him like he was deaf. Max came downstairs where I was and said “Your dad just said next time they (the carer) turn up and I’m in bed asleep tell them to fuck off”. He was unwell but still the same as he had always been: sharp and to the point. We would take it in shifts: my mother would go over in the morning and afternoon and myself in the evenings after work and Maria, Janet’s daughter, would be there overnight.

It is still the question of love and devotion, how many women would stick by a man and spend time helping nurse him through his last days after he had left her for a life with someone else? Someone who had been a family friend for as long as I could remember. Not many, not many at all.

My mother brushing my father’s hair 3 days before he passed away

She loved him until the end, she really did, she still loves him today and always will. Everyday she would be there for him in the last months, weeks, days and hours of his life.

She would just spend hours talking to him even if he was not very responsive, making him comfortable, we all did, but that level of devotion after so much pain from the break up of their marriage is, still, to me, incredible. Most would have just walked away, but that is my opinion, of course.

His last few days with us.

My mother was still by his side after everything she had been through. She was still there loving him until the very end.

Terrance Michael Hyde 1948-2021

Argent Street

This is where it all started, my life, my earliest memories. A playing field overlooking the River Thames, I can remember clearly when the circus came to town and would pitch up on the grass or my dad would try to fly my fabric kite on the field. It was always a bit shit as I could not get my head around when to let it go. Sometimes walks when family came to visit the 14th floor of the tower block we lived in.

I remember one afternoon my mum put her foot down a rabbit hole and twisted her ankle. Its funny what we can remember from a early age, we moved out in 1974 when I was just under 4 years old.

“I would spend endless hours looking out of the window at the boatyard and the river beyond the flood banks.” I can’t remember too much about my parents’ relationship, only what my parents, mainly my mother, had told me. I have some very mixed and unclear images in my head about that time. As a child, I feel it was a happy time. I remember my mum taking me out in my little red car with pedals I could never master, I’m sure I had two left feet. It had Womble stickers on the front and sides, and I had a teddy bear called Rock head who had a bell in his ear. I know my dad had his issues, mainly drug and alcohol abuse. I never discussed it with him. I did not feel we could have talked about that in any detail; I’m sure he was in denial about it. It’s funny I don’t feel I can ask my mother as she still loved him until the day he died. He had left her 25 years before he passed away, leaving her in debt and a mortgage hanging around her neck. She still loved him until the end.

It was the early 70s in a deprived part of the south east of England. Three-day weeks, strikes, and it’s no fun having no power when you live on the 14th floor and the lifts are not working. My mum had been a window dresser in a women’s fashion shop in Grays before I came along, and my father worked for a construction company called John Howard, who specialized in oil rigs, grain silos, and flood defences. I think it was during the construction of the silos at Tilbury docks that he started to work for them in their offices. I remember I would go to work with him on a Saturday morning to an office block in Victoria. This was at the start of a bombing campaign by the IRA and one Saturday morning there was a loud rumble, I remember saying “Do you think it she cards at Buckingham Palace shooting their guns” he replied “Its probably the rumble of the tube train below the building” it was in fact a bomb going off. I remember leaving the building and all hell breaking loose and my father throwing my into the back of a black cab. I did not know what the hell was happening just us rushing back to Fenchurch street station and heading back to Essex. During the 90s I ended up coming close to a lot more of the bombings, but it was the same for anyone living or working in London.

The tower blocks where my first permanent home. It was a large flat with great views right across the river to Kent. You had the saying club on the banks of the river beyond the sea wall “well river wall”. You could look out to the east and see the docks in all they’re glory. The mud of the river and the footprint of a time gone by.

Looking at the old timbers emerging from the brown dirty waters of the Thames with the grain silos in the distance
The saling club Grays
Old Jetty that has long since been used
Storm drain leading out to the river
View from the park area looking across to the docks
Flood gates along the river bank
Flat grey wasteland on the banks of the river

Richmond Road.

My mum’s parents, Douglas and Beatrice Blake, they lived in a three-up, three-down house in Richmond Road in Grays. If I remember correctly, my nan rented the house just after the war up to 1982. I have fond memories of the house from my childhood. I spent a lot of time with my grandparents there when I was young. The house had not been updated since my grandparents moved in during the 1940s. I don’t think they updated it either. It still had two-pin plugs and a gas meter that you had to put 50 pence in and turn a little handle. There was no heating or hot water until you lit the coke boiler. My nan was in charge of that sort of thing. It’s only now that I can see her chopping wood in the kitchen to get the coke boiler going and fetching coal for the fire in the sitting room. The front room had a gas fire, but it was never used unless it was a family event. When my parents first got married, they lived there until I came along, then they got their council flat on the 14th floor with river views. It’s also the house I was conceived in. It was a typical house of its time, originally the toilet was outside in the garden with a dirty dusty back ally. It might have been dusty and dirty but it was my playground, there was also the coal bunkers to climb on and build camps between them and the old wooden shed that was used for a wood store. Not nicely cut logs but any old shit that could be chopped up and burnt. God knows where it all came from bits of window frames old doors anything made of wood. It was even used as a monkey house at one point but that is another story. There was a Indian family living in the house to the left known as the Indians, Mr & Mrs Sigh and their three children Sonny, Jess and Subrage “I think that’s how its spelt” myself and Sonny would become great childhood friends. Then on the right you had the Bluers and my grandad used their garage to park his 3 wheel Relent Robin in bright yellow.

It’s funny when I went back to take a look around in 2015, there was a child’s bike parked up where I used to play, right outside the gate to number 23. The alley had not changed at all: still dirty, and you could still see the slight tint in the dirt, from years and years of fire ash being dumped over the back walls into the alley. It was not as well-kept as back in the 70s; back then the residents of both Richmond Road on the left and Bridge Road on the right still had pride in where they lived. It was never rich but tidy. A bit of pride: the high fence was not there when my grand parents lived there but a wall built of yellow brick, but black with age, capped to a point with concrete on the top. There would be flowers in the borders and a small veg patch with mint and rhubarb growing at the end of the garden new potatoes ready to dig up for lunch if the season was right.

When you look at the area today it’s not aways poverty that turns an area into a shit hole its pride or the lack of it. Back then you would never think of dumping a fridge and make it someone else’s problem, so why now.

The back alley was like a one-way street in 2015, the way in was blocked by an abandoned car with only 3 wheels. A local resident came out of number 27 and thought I was a photographer for the local paper, as the car had been there for weeks and had not been removed. To the right of the car was an old school, Park School Grays, where my mum and her brothers went. They only had to walk 30m to school. Looking on Google Maps looks like it’s been long since demolished.

My friend Sonny and all the other kids who lived on both sides of the alley would be out from morning to night playing football, cowboys and Indians, runouts, and riding bikes through the mud and puddles. It was what being a child of the 70s was all about. If it was raining, he would come around to my grandparents’ or I would go around his, and this is where I got my first taste of Indian food. We used to head to Jim’s corner shop two streets over in Salisbury Road. It was always confusing paying because I was a little slow in understanding money and counting it out, and to make it more confusing, they would talk in old money! Two bob, half a crown, and threepenny bit, what the heck. Sorry, but old money went out in ’71…. Jim’s had been there since before the war. You could buy anything in there from sweets to cigarettes and potatoes.

On visiting Jims one day with my 20p to buy sweets I must have only been 5 years old, yes and we used to go alone myself and Sunny. It was the first time I become aware of racism “Lets turn back” Sunny said. “Why” looking forward to see two older boys standing on the corner of the street. “They are National Front” they must have only been 10 years old with their skinheads. We did turn back that day only to return a little later.

It was a great time without a care in the world, void of any responsibility unlike now. Also times change kids don’t have the freedom I was once blessed with. No social media, no mobile phones just your imagination. In a way it’s sad how times have changed. Kids just can’t be kids anymore.

This is the first post on my website in a few years, I’ve not felt like doing much since I moved on from photographing Jazz. Ive a lot more to add. My next post on the site will be very close to home its a story about love and how sometimes that feeling can’t be broken.

Thank you for your support and please keep following

NIGEL PRICE ORGAN TRIO….

Nigel Price guitar, Ross Stanley B3 Hammond Organ, Joel Barford drums, Snowboy percussion, Vasilis Xenopoulos tenner sax, Tony Kofi Alto sax, callum Au trombone, Key Stephen violin 1, Anna Brigham violin 2, Matt Maguire viola, Chris Terepin cello.

Sometimes, if not all the time 4 pictures on twitter just don’t do a performance justice. Nigel Price brought his album lunch ‘Wes Reimagined’ to Ronnie Scotts this weekend with two sold out shows. The queue stretched half way down Frith Street proving to be the hottest ticket on Saturday night. Let the photographs tell the story.

Kurt Elling

As we bounce back from lockdown with a vengeance and welcome back performers old and new, this man is no stranger to the club and was the hottest ticket in Frith Street. This time Kurt had guitarist Charlie Hunter by his side along with DJ Harrison – keys Corey Fonille – Drums and bringing up the backing vocals LaDonna and Vula.

Kurt Elling and Charlie Hunter

Corey Fonville

Charlie Hunter

Charlie Hunter and Corey Fonville

DJ Harrison

SOWETO KINCH

Its Soweto’s second visit to Ronnie Scotts in the last 12 months but this time there was a live audience…. With a heavy mix of ripping sax and rap Soweto brought a hole new dimension to the performance. Neal Yates on trumpet bringing his fantastic vibe and Nick Jurd giving the underlying bass lines along with Jason Brown the drummer from the U.S doing very nicely over here in London thank you.

Soweto Kinch

Neil Yates

Nick Jurd

Neil Yates

Jason Brown

Don’t forget any image on the site can be printed and you could have jazz history hanging on your wall…… Use the contact section and drop us a line.

CURTIS STIGERS

“It makes a change from being in my kitchen”

Curtis is once again back and the worlds greatest Jazz club after almost 18 months of lockdown, he was in fine form selling out the club for every show. Curtis bringing his ever popular show back to Soho with his band. Matthew Fries – piano Cliff Schmitt bass – Paul Wells drums.

Curtis bringing Ronnie Scotts alive.

Until next time………

In the kitchen of Copper & Ink

Tony Rodd

Situated in the heart of Blackheath village, run by two wonderful people Tony Rodd who you may remember from Masterchef finals 2015 and Becky Cummings. Copper and Ink is a clean fresh break from the chains that inhabit our high streets especially here in Blackheath. An independent restaurant with a monthly change to its outstanding menu. This is not a review of the restaurant it’s how I see and find the world around me.

I was first drawn to the restaurant by three words, Jazz, Evening and Food. If you ask me the perfect combination. As I type this Im getting hungry just thinking about it. But it’s 7.36am might be lucky and get a bacon roll from the tea hut, not so glam on a chilly bank holiday Monday.

Back to Masterchef 2015, not only do we have Tony Rodd also runner up Rob Parks. When photographing a kitchen it always helps with some powerful personalities Tony, Rob, Martin and Jayden.

Rob Parks

In the Kitchen

Tony
Rob
Jayden
Rob and Tony looking at ideas for the following months menu
Tony
Martin prepping
Martin

Rob
Tony

Martin
Tony
Rob

Rob and Jayden

Tony

Jayden
Martin

The Team

Martin

Tony

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